May has been a quiet month on the dance
front really, until this past weekend. If you follow what I do you’ll know I
had a pretty ridiculous weekend last November which involved flitting between
The Netherlands and London for workshops, a wedding and a performance! This
weekend was not quite as bad, but even more exhausting!
Last Friday I made the trip to Rome for the
Tribal Fusion Express show. I had a very tiring day! I left home at 4:30AM for
the airport where I was greeted with a huge queue for security, and had my bag
pulled out for a search, meaning I had to run across the airport to get my
flight. When I got on the plane I discovered that there was basically no leg
room and was destined for a DVT inducing experience!! No, really, my knees were
pushing into the seat in front – not good for someone with an ongoing knee
problem. And then, the guy next to me decided he needed to puke as we came into
land. Lovely.
Getting through passport control, I
discovered I had missed the bus into Rome by one minute (seriously!) and the
next bus would not leave for over one hour. I was starting to get hungry,
having not eaten since the night before and considered waiting at the airport
with a coffee and something to eat. Weighing up the cost, I figured I would
just pay extra to get the train and eat at Sciahina’s apartment, expecting to
be there in no time. I took the train to Termini and then the Metro to the
correct stop. And then I waited. And waited. For almost one hour!! Eventually I
was picked up (a mix up it seemed), tired, ravenous, hot and sweaty. Just
enough time to grab the last few slices of bread and last bits of cheese to
make a sandwich before going to the theatre for tech rehearsal.
Photo: Shadi Khries |
After some gelato and pizza, the afternoon
went in no time to the beginning of the show. As we had to stay backstage all
night, peeking behind the curtains in between costume changes was the order of
the day. I performed an improvised solo to a song by Modeselektor and Thom
Yorke and reprised the duet with Jaana. I think both went ok... We’ll see from
the videos when they arrive! The best part of the crazy trip there was spending
time with fantastic friends – Sciahina, Jaana, Violet Scrap, Vesna Zorman,
Lamia Barbara, Daria Bertogna and sooooo many more wonderful dancers. On
Saturday we took a workshop on pops, locks and shimmies with Eliran Amar from
Israel, and it was interesting to hear his different approaches to movements
that we have been doing for years. He also taught a short drum solo
choreography that had some challenging layering involved.
Photo: Violet Scrap |
After another gelato, and bidding my
friends farewell and onwards to Termini station where I almost missed my bus to
the airport! The rest of the journey was relatively stress free, just long – I got
home at 5AM the next morning after setting off at 7PM GMT+1. But the lack of
sleep was all worth it to be able to spend (albeit not much) time in the
Eternal City with some of my favourite people in the whole world. It was an
honour to share the stage with such incredible dancers in a show with a
brilliant concept (a train travelling across Europe, meeting dancers from
different parts of the world at each stop). Thank you so much Sciahina for
inviting me! I just wish I could have stayed longer.
So you might wonder – why did I have such a
flying visit?! Well, on Sunday I was guest teaching a workshop in Walsall for
Dawn O’Brien’s Drills & Thrills Intensive. She hosts these monthly and the
focus is on deepening your practice through conditioning and drilling. I
deliberated for some time over what to teach at this workshop, knowing that
Dawn works the regulars that attend hard... I often struggle with the balance
between conditioning and dance in workshops I teach, knowing that the
conditioning is a fundamental part of achieving precision and proficiency in
this style of dance, but also wanting students to leave knowing how to apply
that to the pay off – dancing. As this workshop series is called Drills and
Thrills, I felt it was acceptable that I could focus more on the conditioning
and drilling than teaching combinations. We had three hours together and we
spent a significant amount of time conditioning the body for dance, literally
from head to toe. I introduced some little gems of information that I’ve picked
up along the way that not everyone teaches, so I hope that it was helpful to
everyone! I certainly enjoyed it after sitting on my backside travelling most
of the weekend – stretching and moving was exactly what I needed. Staying in
bed, no matter how tired I was, would have done nothing for me.
I often wonder what people that attend
workshops expect. I frequently read comments on Facebook that I interpret as
not feeling like it was a good workshop unless they woke up the next day unable
to move (and I’m probably completely misinterpreting that). But I can identify
with that – when I was in the early years of my learning I loved that feeling
of not being able to move the next day (and if I’m honest, that good pain,
where you feel like you worked really hard does still appeal to me). These days though, I’m more interested in deepening my practice and extending my movement
vocabulary – learning exercises that will target the muscles more deeply
without necessarily killing me, and seeing how these logically enhance my
dancing, not just doing them for the hell of it. Learning movements from
different forms of dance that can easily translate into bellydance, or existing
movements that I hadn’t thought of using in that way before. Understanding how
different people use movements in different ways, and learning conceptual stuff
that I can apply to my improv and choreographies. And coming out of workshops
feeling less like ‘oh, that’s gonna hurt tomorrow’ and more like ‘wow, my body
feels amazing!’ – maybe that just comes with time? I got all of this stuff
recently in workshops with Zoe Jakes, Amy Sigil and Donna Mejia and could
immediately apply to my practice and my performances. And maybe this change in
attitude has also come from needing to take more care of my body thanks to
injury and getting older – I can’t do some of the things I could do 6 years ago
when I first started!
So I’m interested to know – what do you look for in a workshop? What sparks your interest? Why do you go to workshops at all? Haha, these are the questions that keep me awake at night!!
Show in aid of Compton Hospice |
On a non-dance related note, I also had the pleasure of seeing Amon Tobin's ISAM 3D live in Brixton this month - very much worth going to see - a really wonderful show!
Next month is going to be a busy one! I’ll be at Hannover Tribal Festival at the beginning of June – I’m helping to judge the competition and have donated a prize to perform at Infusion Emporium and take a workshop of choice with either Deb, Illan or Vesna! Then we have Hilde Cannoodt and Chaos Carousel up in Wolverhampton on 9-10 June, teaching and performing – workshops and show tickets still available, and remember it’s all for charity!! Then I’ll be back over in Germany, teaching and performing at Tribal Summer Camp, Offenburg in the beautiful Black Forest. I can’t wait to meet everyone there!
Next month is going to be a busy one! I’ll be at Hannover Tribal Festival at the beginning of June – I’m helping to judge the competition and have donated a prize to perform at Infusion Emporium and take a workshop of choice with either Deb, Illan or Vesna! Then we have Hilde Cannoodt and Chaos Carousel up in Wolverhampton on 9-10 June, teaching and performing – workshops and show tickets still available, and remember it’s all for charity!! Then I’ll be back over in Germany, teaching and performing at Tribal Summer Camp, Offenburg in the beautiful Black Forest. I can’t wait to meet everyone there!
As usual, workshop and performance dates
are listed on my website at www.alexissouthall.com
and I have a special day of workshops coming up on Sunday 1st July
focusing on new and interesting layering and a choreography class with added
zing – advanced level conceptual applications for making your choreo’s more
engaging and interesting for the audience, and for yourself - all inspired by recent USA studying (oh, how I miss 8 hour dance days!).
Hope to see you all on the road this month!
A x