Friday, 29 June 2012

New Videos!

It's been a good six months since I uploaded anything to my YouTube channel - although I have been performing A LOT during 2012, several performances were filmed by the event organisers and then never passed on to me. Others have been uploaded to the organiser's channel. So I felt it was time to upload something...


After 6 months with nothing I received two videos this week, which I have now uploaded - haha!


First - The Sinking Ship - An improvised Flamenco inspired piece that I performed at Tribal Summer Camp in Offenburg, Germany last weekend.






The second - Makaan - An improvised piece that I performed at the Chaos Carousel charity show that I organised on 9th June.






Hope you enjoy them both! I have tons more videos on my YouTube page, and will be uploading more over the coming months of performances :)


Alexis x

Tuesday, 26 June 2012

Tribal SummerCamp!


I've just returned from teaching and performing at the Tribal Summercamp in Offenburg, Germany. Nestled in the beautiful Black Forest, this little festival has been my favourite event this year. Hosted by the lovely Gudrun Herold, the festival consisted of three teachers – Martina Crowe-Hewett (CA/DE), Martha Saunders (USA/DE) and myself – and performers from various parts of Germany and France. What was so great about this festival was the intimate and family feeling. It really reminded me what Tribal is about, and reflecting on the experience of being there really made me remember that Tribal is supposed to be about connection and sharing and being nice to each other. There was absolutely no feeling of competition and everyone was an equal to each other. I really appreciated that.

Gudrun, Martina, Martha, Alexis and Virginie

I arrived on Friday after an overnight stay at the airport in London. I didn’t get off to the best start. I couldn’t get a room at the airport hotels meaning I would have to sleep at the airport itself. No big deal for me, I’ve done it plenty of times before, however this was compounded by my husband booking my coach to Heathrow to arrive at the wrong terminal. Worried I would fall asleep and miss the train to the correct terminal, I dosed up on caffeine and stayed awake. Of course, this meant that on Friday I was exhausted! Alongside the other teachers and many of the dancers in attendance, I stayed with Gudrun and her family. Their generous hospitality made everyone feel so at home, her husband cooking us delicious dinners and entertaining us. Nothing was too much trouble.

Martina teaching
On Saturday I took Martina’s workshop Ooey Gooey which ran through some great drills for internalising movements such as omis, myas, taqsim, etc. Took some things away that I want to try with my students which is great! We then learned a short combination which we applied to different pieces of music to work a little bit on expression and musicality. Martina is a great teacher, I feel like I learn so much from her. I’d like to study with her a lot more. She has a vast amount of knowledge that I would like to learn.

I wanted to take both of Martha’s ATS workshops but I taught immediately after her on both days and I didn’t want to overdo it and aggravate my knee, so instead I observed her Saturday class which was based around advanced techniques. She taught the wrap around drop, which is a beautiful variation on my favourite slow move the wrap around turn, and had the students dance in an old-school stagger formation which looked really beautiful.

My first workshop was Seamless Combinations. This is always a favourite of mine because it allows me to share with people my approach to Tribal Fusion through movement drills and combos that get deep into the muscles that we need to be proficient in each move of the torso especially. I taught two combinations – one an old one from last year when I performed to Kiara by Bonobo, and a new combination I created especially for this class in Germany. More of a mini-choreography, the students seemed to like it and it was fun for me to teach.

Martina and I at the show
Saturday night was the show. I was performing two improvised solos and a duet with Martina. Martina and I had worked on the duet together when I stayed with her earlier in June and we had used spare moments in the weekend as opportunity to practice together. Here is one area where the Tribal connection really works for me. I came in with about half the dance choreographed, with the intention of having the whole thing done so she could just learn it, as she’d been in Vancouver teaching and then to Tribal Fest. However, it was just as well I hadn’t finished it. Her input to the choreography made it a much better choreo than if I had made it alone. I learned things from her that I would have never used by myself. It was a really good match I felt, as we share a similar taste for movements, and the creation of the dance came pretty easily. It highlighted to me the importance of collaborating with each other - learning from each other, creating something together and achieving something you wouldn't have achieved alone. 

My first dance was to a Filastine track which had a flamenco influence to it. I’m not sure if it’s exactly how I wanted it to be. I’d wanted to make a choreography but time ran away with me, and so I hope it’s at least an adequate representation of what was going on in my head. I’ve not been formally studying Flamenco, though I have taken private lessons and have been religiously watching my favourite flamenco dancer Belen Lopez for ideas. The purpose was to be influenced by the movements rather than being a flamenco fusion piece.  The second was to a piece I used in Prague – Amon Tobin and The XX. Again, I’ve not seen video of me performing to this track at any events yet so I don’t know what it’s turned out like! Then came the duet, which I think went really well. We both managed to remember the choreography and I think we worked well together on stage. It was really such a pleasure.


Alexis, Martha & Martina - Tribal Summercamp teachers!
Some amazing performances were in this show. Libra Sistas (a tribe from Germany consisting of four dancers from different parts of the country working together) were a fantastic reminder for me of what good ATS looks like. Innovative while staying true to the style, I really enjoyed seeing them perform. Martha too is an excellent performer of ATS – she performed two solos in the ATS style which were very beautiful, her slow piece being my favourite of the two. Martina and Gudrun also performed a duet, and I still have the music in my head now! Several other groups and soloists performed, including Gudrun’s tribe Devadasi Caravan – again another reminder of how unifying this dance is, the girls in the group come from Germany AND France (Offenburg is close to the French border and Gudrun teaches weekly classes in both countries). How amazing – some of them can’t speak German, others can’t speak French, and yet they can dance together, communicating through the body. That is what ATS is all about. The show had a really supportive atmosphere and the audience were really warm – I really enjoyed performing there. The complete lack of hierarchy and competitiveness is what really struck me as being beautiful about it.

After a very late night, Sunday was more workshops! I took Martina’s Off the Deep End which had lots of Suhaila style layering technique. I sat out of some of the workshop as I was so tired!! Usually even if I’m tired, exercising wakes me up. Not today! All I wanted to do was sleep! Martha’s workshop was about turns and spins which I really wanted to take but instead slept for a little while. I cannot tell you how tired I felt, and I was really suffering with allergies while there so I think that made me even more tired. Probably it was just as well I didn’t take the workshop, as spinning on certain flooring tends to torque my knee, but it would have been nice to get to observe.

Next was my turn - I was teaching my new workshop Open Up for Arm-ageddon (get it?!) which is all about opening the upper body and conditioning and drilling for the arms. I also gave the girls two tasks to work in groups which they excelled at. Their approaches to the tasks were really inspiring for me – to see how they took what I do and made it their own and showed me ways of using the arm movements in addition to moves that I wouldn’t have thought about using was very inspirational. Demonstrating that you can learn so much from your students – just as much as they can learn from you.

Sunday night consisted of a soak in the tub, a wonderful home cooked meal with marble cake and home made blackcurrant ice cream for dessert, as well as gorgeous strawberries and cherries; followed by watching England get defeated by Italy in the Euro 2012 match. An important match in the household as the winner will go on to play Germany.

On Monday I came home, but first a walk through the Black Forest – feeding the resident goats, choosing my Christmas tree and taking in the fresh air and stunning views, followed by tasting the fruit liquors made by Gudrun’s husband in his distillery business. Very delicious liquors! I brought home cherry liquor famous to the Black Forest, though I think my favourite was spiced apple (though it felt more of a winter drink. Perhaps I will order some from him over the internet!). After this Gudrun drove me to Strasbourg over the French border to do some sightseeing and cake eating before taking me to the airport in Stuttgart. Right now I’m writing this on the train back home from London. It’s 2AM and I still have another 30 minutes to go!

The long travels have been worth it though. I have come home so happy with such great memories and new ideas for myself as well as for my weekly students and people who come to my workshop. Seeing that the new workshop works in the format I’ve chosen for it is great. I’m so pleased with that.

Alexis & Gudrun in Strasbourg
I want to say a huge thank you to Gudrun for providing me with the opportunity to share my ideas on dance in Germany, and to perform for the first time there. It is a big step for me to take my workshops outside of the UK – exciting and scary all at once. But it has been great, and I loved every moment. I encourage people to attend this event next year if Gudrun is planning for the next one. It has a really positive vibe, she organises the whole thing really beautifully and if you need any more excuses: it’s in the Black Forest, there is Black Forest cake and all kinds of liquor available for purchase. Add in dancing all weekend and how many more excuses do you need?! A great event that it was an honour to be a part of.

~

Alexis performing with Chaos
Carousel in Wolverhampton
Photo: Renee Chiu
At the beginning of June I hosted Hilde Cannoodt and Chaos Carousel - just wanted to have a quick mention of that in this blog - it was a great weekend, the show was superb with live music by the band and some amazing performers. I got to dance with the band in the show which was a very exciting and fun experience! The workshops were excellent, my personal favourite being Dance Expression. I strongly encourage others to attend a workshop with Hilde when they get the chance! She's an excellent teacher - a lot of knowledge broken down in a fun, interesting and unique way. I had a wonderful weekend and we raised a great 135 quid for Compton Hospice, the local charity we supported. Thanks so much to everyone who came and supported the event - we hope to see you again at the next show in October and for those who didn't come - you missed a great weekend. Make sure you're there for the next one, or you'll seriously miss out again!!

~

This weekend I’m teaching my Breaking Through the Layers intensive day in Wolverhampton. Still spaces available – the first Layering workshop is getting a little full, but there is room for a few more, and more spaces in the intermediate/advanced workshop in the afternoon. Buy both and you get 5 hours for just £32 – an absolute bargain! Later in July I’ll be at Gothla UK performing, assisting my husband at his music mixing workshop and hopefully selling some jewellery! Then I’m performing at the Firewater show in London – Colleena Shakti is the headliner and I’m really excited to be taking workshops with her for the first time. And at the end of July is Barefoot Festival where I’m teaching a fluidity in Tribal Fusion workshop and performing in the show. A great little festival that one, I had a great time as an attendee a couple of years ago. Tai Chi in the morning – what a great way to start the day!

Hope to see you at a workshop or show in July!

A x

Thursday, 7 June 2012

You Don't Know Me....


June is proving to be a rather busy month for me with plenty of teaching and performance engagements coming up. I recently returned from Germany where I was at Tribal Festival Hannover, and stayed with Martina Crowe-Hewett.

While I was out there, a video of my performance at Tribal Massive back in February was uploaded to YouTube. I was interested to see it. I’ve posted the video here in the blog for you to see for yourselves.



I can’t say that I am delighted with the performance – I was still suffering from jet lag at this point, and to be honest I agree with some of the comments I’ve had on the video link on facebook – it really needed some atmospheric lighting! Hopefully once my knee has recovered (yes, that’s right, I’ve somehow injured it again!) I will be able to perform it in a venue that provides that kind of lighting. With some practice I think it can be a dance that expresses what I hoped to express.

The process of making this dance was somewhat difficult. The moment I heard the music after scouring my hard drive full of about 70,000 tracks, I knew I wanted to dance to it. I’d downloaded Apparat’s album years ago, and for some reason my mouse pointer was drawn towards the folder that contained this song – meant to be! So once I’d chosen it, then came the task of doing something with it!

I listened to the track repeatedly for several months. I could envisage floorwork that I was at that time unable to do, and I had a story that I thought I wanted to portray. After the fact I realised that, at least for my own interpretation, the dance was about something completely different.

Dance Spinner - Choreographic Saviour
And then I struggled. I had the floorwork section in my head (which further developed as I worked through the process) but really had great difficulty doing the rest. I focused on strengthening my body for the floorwork and teaching myself the movements I wanted to use (a challenge in itself!), hoping the rest would just fall into place. It has been about 3 years since I last used floorwork in a dance because of my injury, and at that point, even right up until the performance night, I had a back up song in case I couldn’t do it. And I battled this choreography! In January I went for a private lesson with Samantha, who told me about this tool she had found to help you with choreographies – it’s actually for children, and is not at all for bellydance, but she showed me a combination she’d created using it and we worked on one for me too. I didn’t use it in this dance, but I did go and buy this tool – the Dance Spinner – as soon as I got home that night. And it really helped! I had a few combinations ready in the dance, and I used the dance spinner to help me fill in the rest. And I liked the stuff that came out! It wasn’t so far removed from my own work already, but it gave me options for thinking about different qualities of movement within the dance. And now I watch the video back I see that some of it didn’t look quite as effective in performance as it did in rehearsal, but all that can be revisited and revised as I rework the choreo.

I don’t know what you interpret the story as from the dance. For me it was something very different to begin with. However at Tribal Massive I took Amy Sigil’s STATIC workshop. I’d taken it in Brighton last year and hadn’t felt like I’d gotten much out of it after looking at the transcript that I had at the end – Amy gets you to fill in a transcript based on answers to question she asks which reveals what makes you an artist and what you can harness from within you to use in your art and mine had not made a lot of sense. However the second time around it made lots of sense, and made me realise that I was carrying with me something quite dark. Something that I didn’t like about myself, an emotion that we all experience during our lives that is destructive and achieves nothing. During Amy’s workshop I wrote this down and the script this time made sense... ‘Hello envy, let’s go for a ride...’

The genius behind the tune
When I returned from Tribal Massive I was listening to the music on the bus, going through the choreo in my head and suddenly it hit me. I’d already made the dance that came out of Amy’s workshop as being the next piece I should make. I just didn’t know that I’d done it. Thinking about the movements that I chose, even with the aid of the dance spinner, it all in my mind reflected what I was experiencing. Unwittingly I had created a dance that was truly me, that was not contrived in emotion or story. And now I understand the dance, I know I can truly do it justice. Isn’t it funny how these things work?

Once I am recovered from my latest knee injury I will return to working on this dance and making it the finished product I had hoped it would be, and to present it in an environment where I can influence the lighting and mood. It’s been a case of this dance, and Amy’s workshop, helping me to realise something about myself that I wasn’t fully aware of and helping me to battle through something that I don’t want to have in my life. Dance is great.

I’m interested to hear others views, so please feel free to comment!

~

Ariellah as Nosferatu.
Photo by 
Thomas Schirmacher   

This morning I returned from a week in Germany. I was asked to judge the Tribal Star competition at Tribal Festival Hannover which was a great experience – I really enjoyed the festival and the three awesome shows. I had the opportunity to see the Nosferatu Silent Sirens Theatre show with Ariellah and The Lady Fred, a show I should have seen when I was in San Francisco for training a couple of years ago but was rescheduled. The two main shows showcased some of the top European talent in addition to the American teachers. I enjoy the European events because I am always reminded that America is not the only source of great talent in this little bubble we call Tribal Fusion Bellydance. We forget what amazing dancers we have on our own continent, and as Brits I think it’s easier to forget as we’re all isolated on our little islands – we forget to look East as well as West, and we miss so much by doing so.

The genius that is Amy Sigil.
Photo: Thomas Schirmacher
I took three workshops over the weekend – ITS with Amy Sigil (a format I loved instantly, but due to the fast nature of it I had to sit out of most of the workshop due to knee issues), a combinations class called The Swing Box with Rustiqua (three amazing girls from Slovakia) and Electro Swing Choreography with Maria Fomina (Ukraine). I was delighted to see that these girls that I enjoy seeing perform so much are also excellent teachers. I’ll definitely be going back for more. And I always enjoy Amy’s classes – that woman is actually a genius, for real.

Judging the competition was a difficult decision especially when you know some of the girls involved – two German girls and a Brit, all of whom I know well. The standard of the competition, particularly in the final, was rather high, and difficult decisions had to be made by the judges. The competition was won by an American – Hybrid Bevin. I am delighted that the joint second place winner, Cristina Zegarra, won the prize that I donated to the competition, and is coming to Infusion Emporium in October and performing in the gala show – I’m so happy about this as Cristina is a wonderful dancer and was one of my favourites in the contest. The winner of the audience vote, and the one who wins the trip to Tribal Fest that was won by Illan Riviere last year, was the wonderful Inga Petermann. A gorgeous dancer, and definitely one to watch over the coming years. I’m thrilled she won the trip as I think she really deserves the opportunity to get herself out there.

Cristina Zegarra is coming to
Infusion Emporium!
Photo: Hana Sladkova
I met a lot of wonderful people at Hannover, and saw some truly incredible dancing. I’ve returned very inspired by my fellow dancers. Saturday was incredible act after incredible act. However - and I rarely choose a favourite - my favourite performance in that show was Giuliana Angelini. I’ve seen this girl perform several times now and am a huge fan – gorgeous movements and choreography all executed with perfect precision. As I always joke, it’s not a good show unless I cried, and her performance certainly stirred up some emotion for me, alongside UNMATA’s piece. This piece I saw them perform in Las Vegas and felt it was so powerful and raw. This time it was a little less so for me because I was so far back in the audience, whereas in Vegas I was in the second row and could see the incredible emotion echoing through their bodies. However, knowing the story behind the piece and reminiscing on my previous viewing, it still brought some liquid to the eyes.

Walking in the Alps
After Hannover, we journeyed with Martina Crowe-Hewett to spend a few days with her and her family in Ulm where she is currently residing. We had a fantastic time with them all, walking in the Alps, visiting the old centre of Ulm and dancing. Martina and I have been working on a duet for the Tribal Summer Camp in Offenburg show. I’m super excited to be going back to Germany in two weeks to teach and perform, and am particularly looking forward to the duet. I really like how it has come out, and it was interesting to work with Martina on the choreography. I came in with sections done that we tweaked, adapted for formations and created the missing sections during our two days together. We discovered very quickly that we have very similar movement preferences and would have almost identical ideas simultaneously. I’m excited to see how it comes out as performance.


Hilde Cannoodt
This weekend I’m hosting Hilde Cannoodt and Chaos Carousel for what promises to be an awesome show and weekend of workshops. The show is in aid of Compton Hospice, a charity which provides palliative care to terminally ill patients in the West Midlands, a charity very close to the hearts of me and my husband. So please, come along and have a wicked night listening to live music and witnessing great fusion bellydance. We have performances by Bex, Black Veil Tribal, Khalgani, Ashima Tribal, Samantha Gatehouse, Dames du Serpent, Pedralta World Fusion, Lyza, Maureen Pemberton and me of course! As well as a fundraising raffle with top prizes. Any profits from the show go to Compton Hospice, so please do come along and help us to donate a huge chunk of money. Tickets will be available on my site until 11PM Friday or in cash on the door. We hope you can join us!

Later this month I’m off to Germany to teach some workshops, organised by Gudrun Herold. After that I’m teaching a day intensive in Wolverhampton on Sunday 1st July with all new material for layering and choreographic tools. Booking online on my website.

Hope to see you all somewhere soon!

A x